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"Phobos"
Size: Knife: Length overall:
13.875" (35.2 cm), Blade Length:
8.75" (22.2 cm),
Thickness: .245" (6.2 mm)
Weight: Knife: 16.5 oz. Sheath:
10 oz.
Blade: 440C High Chromium Martensitic Stainless
Steel, Hardened and Tempered to
Rockwell C59, hollow ground and
mirror finished
Bolsters, Fittings: 304 Austenitic
Stainless Steel, Hand-Engraved
Handle: Brown Micaceous Hematite with Feldspar Gemstone
(Bronzestone)
Sheath: Brown Rayskin
Inlaid in hand-carved and tooled Leather Shoulder
Details: Phobos is the
Greek word for fear, the name of one of the sons of Ares and
Aphrodite, the larger and innermost moon of Mars, and the root of
the word phobia. Only a special piece could bear this name,
and this is my Phobos: an edged work of art. Phobos is a magnificent
knife: over a pound of steel and stone, razor keen with an
aggressive steeply angled tanto tip. The blade is made from
quarter-inch thick stock of flawlessly hollow-ground and mirror
finished 440C high chromium martensitic stainless tool steel
hardened and tempered to be very wear resistant with great longevity
and corrosion resistance. I've put a half-length top swage on the
blade spine to reduce the point profile without sacrificing spine
strength. The blade has a steep thumb rise in just the right place
for a solid grip. I've cut a deep, bold, geometric filework pattern
throughout the blade, and sculpted the choil for a clean edge
termination. The tang is fully tapered for balance, and the knife
feels great in the hand. The handle shape is curvaceous and
comfortable, locking the fingers well between the deeply carved
quillons. The knife is bolstered with full, stout 304 high-chromium,
high-nickel stainless steel bolsters, dovetailed and hand-engraved.
I designed a pattern that works well with the sharp and square
angles of the blade and the curves of the handle, as well as the
pattern in the gemstone. I call this a vine on trellis design. Do
you know that I never repeat an engraving? Do you know that very few
makers will ever attempt to engrave 304 stainless steel because it
is so difficult to do? 304 has the greatest longevity, toughness,
and best finish of any bolster material, and that's why I use it.
Many hours went into these bolsters, substantially increasing the
long-term value of the knife. The gemstone I chose for the handle is
unique; I've only seen one piece of it in my thirty years of making.
It's been called Bronzestone, but that name has also been used for
some completely different gemstone, so that is not definitive. This
is actually a micaceous brown hematite with feldspar inclusions and
aventuresence. The gem has beautiful, rich plays of light reflecting
off the feldspar faces inside the rock, which look like translucent
fallen leaves in red-browns and silvery, metallic copper colors. The gem also
has veins of solid dark gray hematite running through, and the
handle is substantial in mass and smoothly polished with a great
feel.
Sheath: I wanted an outstanding sheath for this
knife, so I created a full and deep angled crossdraw sheath from brown-black
9-10 oz. leather shoulder, hand-carved and inlaid with large panels of brown
rayskin to match the gemstone in the knife. This extremely well-built sheath is
inlaid front and back with the durable rayskin, which is actually interlocking
bone, and the toughest, hardest natural inlay material on any knife sheath,
period. I've oriented the "horn" (the apex of the center of the rayskin and the
heaviest bony patch) to the central face of the sheath front. The sheath
is hand-stitched throughout with polyester sinew and double stitched at the belt
loop, border tooled, lacquered and sealed. This is a heavy sheath, the welts at
the sheath mouth are an inch thick!
Thanks, D. T.!
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