Above: "Hestia" fine chef's knife. Click here to open a special page on this fine gemstone handled chef's knife!
This page is about and is dedicated to chef's knives and cutlery, kitchen knives, cook's knives, professional food service knives, meal prep knives, tools, and accessories comprising of but not limited to cutting tools, knives, choppers, cleavers, used to and for slicking, chunk, julienne, butterfly, chopping spices, cubing, dicing, scoring, shredding, brunoise, preparing stir-fry, slicing bread, fining, grinding, carving, and separating foods, ingredients, and components.
Great Knife..such balance no hand fatigue and sharp too.
With that knife in my kitchen. . . I am a surgeon--- not a butcher.
-- B. M.
Chef and meal prep knives and cutlery are the most common knives seen. Every household has these kind of knives, and they probably see the most duty of any knife. So why is it that they are usually the cheapest made knives from the poorest materials? Most people simply don't know what constitutes a fine knife. Sadly, most people have never even seen a fine knife. After all these years, when people are introduced to fine custom knives, I still hear the comment: "I had no idea that this kind of knife existed!" The comment is usually accompanied by childlike amazement and appreciation. Yes, you can prep a meal and outfit a kitchen with cheap knives. But with the value, serviceability, and joy of using a fine custom tool, why would you want to?
Another point is appearance. The one item that is usually left out on the kitchen counter for all to see is the knives. They are nowadays mostly sheathed in a block, with their handles protruding upward for all to notice and admire. Mostly, these handles are black plastic, and on more expensive factory knives, metal. How cold, impersonal, and sad is that? Imagine a fine artistic sculpted block, with exotic hardwood or gemstone handles accenting your fine kitchen. People are now starting to value the most often used kitchen tool, in the most often used room in the household, the kitchen.

Jay,
Now that I have had the chance to use the Vega chef's knife for several
weeks, I wanted to write to you and let you know how fantastic it is.
First, the knife itself is a thing of beauty. The hollow grind is a
work of art. The gemstone handle is stunning, the filework adds to the
whole package and the finish is flawless. It is almost too pretty to
use, but use it I have. The knife is large but it is so well balanced
that my wrist does not fatigue even with large cooking tasks. The edge
is so sharp that it glides through everything I have used it on. I look
forward now even to what were formerly mundane chopping tasks. Dicing
onions can become the highlight of my day! I have many knives that I do
not use ("collector's pieces"), but it is
so much more rewarding to develop a working relationship with a
fine blade.; I can't tell you how pleased I am. I am looking forward
to getting my Cyele. You are a master craftsman.
Thanks,
Dave Evans

Chef's set, Crocidolite: 440C high chromium mirror polished hollow ground martensitic stainless tool steel blades, nickel silver dovetailed and polished bolsters, quartz/crocidolite gemstone handles. Block: maple, black walnut, with rock maple base and seed and nut block, spice block contoured to fit spice chopper. This fine set of chef's knives includes a bread knife with "theatre curtain" hand shaped serrations, Vega master chefs knife, French Chef sabatier, ultra-thin boning knife, La Cocina fruit and utility knife, small paring knife, and hemispherical-edged spice and nut chopper. The block is made of 32 pieces of black walnut, maple, and rock maple for durability. All the knives have matching handles, matching filework, and are hollow ground with fully tapered tangs.
Here are a couple new patterns for the master chef: Saussure and Sasserides: Sasserides is a very large bread knife, designed for heavy, wide, thick crusted breads. The "theatre curtain" serrations make easy work of hard breads, with a minimum of crumbs and tearing. The Saussure is a large chef's master knife, with a very thin hollow grind for razor keen separation of meats, vegetables, and chopping chores. I'll post the finished works soon!
...and here they are!

Sasserides and Saussure are a matching pair of exquisite chef's knives. Both have 440C high chromium stainless tool steel blades, mirror finished, hollow ground, milled, fully fileworked, with fully tapered tangs. The high finish allows easy cleaning and remarkable beauty. The both have 304 austenitic high chromium-nickel stainless steel bolsters, for excellent longevity and durability, and are dovetailed and fully pinned for a solid, permanent fit. The handles are doublet cut gemstones, of Australian Tiger Iron (hematite, red jasper, and tiger eye quartz) and Orthoclase Feldspar Granite. Both knives feature double thickness kydex slip sheaths with nickel plated steel Chicago screws.
Sasserides is a very long, serious bread knife, designed to slice through large, round loaves of hard-crusted breads, but is also suitable for carving, with its thin .1875" thick blade. My "theatre curtain" serrations are very aggressive and razor keen, able to penetrate hard crusts and leaving minimal crumbs. The comfortable handle and slight blade curvature allows long, sweeping cuts at a comfortable grip angle and the long sculpted and finished bolster extends into the blade for additional support. This has got to be one of the finest bread knives ever made.
Saussure is a masterpiece of blade evolution. What started out as the "Vega" group design has evolved into this master chef's knife made for the serious chef. This is a massive knife, made from .250" thick stock, definitely not a dainty Japanese sushi knife! Don't let the meaty blade fool you, it's got one of the thinnest, most aggressive hollow grinds I've ever executed, and is super-razor-keen at the cutting edge. The weight of the blade will help it glide through most cutting chores, and the entire knife is remarkably well balanced. The curvature of the edge allows comfortable cuts and mincing, and the multitude of artistic milled holes will help with food release from the polished stainless steel. The front bolster extends along the spine, creating a convenient purchase for a top "pinch" grip. The handle is massive, full, and round, designed to reduce fatigue and provide a comfortable angled grip that allows the wrist a relaxed angle. This is a fantastic, full, and gorgeous master's knife.
These are wonderful, professional, creative works of art that I thoroughly enjoyed making. They will offer the client decades of service and beauty.
Thanks Mike M.!
Interest in fine chef's knives is on the rise. This is probably because as factory produced knives increase in cost, the investment to properly outfit and equip a chef approaches that of custom knifemakers. Most professional chefs are covetous of their knives and tools, indeed a fine custom knife set can personalize, identify, and set a chef apart. Ask a professional chef what he most values and he'll probably tell you his knives. But how professional is he if he's carrying around factory produced, inferior tools? Read about factories and their dirty little secrets on my "Blades" page here.
True chef's knives can be works of art. They're very different in geometry, style, and temper than other knives. here are some of the points:

Featured: "Cyele" fine chef's, kitchen knife. Hollow ground and mirror finished 440C high chromium martensitic stainless tool steel blade, nickel silver bolsters and pins, ivory micarta (phenolic) handle. Slip sheath of kydex and nickel plated steel screws. The knife is smooth lined, with no filework and a slight drop down for pinch holding over a board. The dovetailed bolsters lock in the ivory micarta, the toughest phenolic made. The rear bolster has a through-tang lanyard for hanging. The slip sheath is all kydex, and protects the blade while transporting. This is a very fine knife.
Dear Jay - just a short note to let you know that my Cyele arrived yesterday and I put her right to work prepping dinner.
My initial impression is one of lovely lines, nice balance, and great artistry in her design and fine craftsmanship in execution. I own a number of custom kitchen blades, and your Cyele is a standout in every respect.
Many thanks, Jay - and my deepest appreciation for your
skill.
--Doug Cremer
There is endless discussion among knife people and chefs about knives: their construction, the materials, the design, shapes, and geometry. Everyone has their own opinion, and usually they are absolutely certain that they are right, and therefore, everyone else is wrong. Often, they set out on forums and discussion boards to prove their point, if for nothing else, to justify their own purchase, passion, and endorsement of a certain type of knife. The buyer loyalty of knives can be a powerful incentive, and no one wants to consider that there may be another option than one they've chosen.
The argument of flat grind vs. hollow grind invariably comes up. I go into those differences on my "Blades" page here. The truth is, the first main concern of a chef is the cutting edge. Is the edge razor sharp? After repeated sharpenings, will the blade geometry and the cross section be thin enough to allow another razor edge? After more and more sharpenings, and as the blade is used up (in a custom handmade knife, this should be decades), will the grind allow a thin enough steel to allow a low sharpening angle, and a razor edge? The truth is, flat ground blades thicken at a faster rate of use than a hollow grind, unless they are very thin (.0625" or less). This is clearly illustrated and described in detail on the Blades page at this topic. That is why that the hollow-ground straight razor has the keenest, sharpest, most formidable cutting edge. Simply put, it is very thin at the edge, and therefore can be made very sharp. That is why all cutting edges are verbally compared to a razor: specifically, a hollow-ground straight razor.
This does not mean that flat grinds can not also be very thin and sharp: they can. Usually, a flat grind is used on a chef's knife that does not have substantial thickness in the spine, and is very thin anyway (1/16" or less). I use flat grinds, too, and only on thin stock, as my clients greatly appreciate my thin hollow grinds. A flat grind often has a problem of foodstuffs stick to the flat side of the blade because of surface tension, and the hollow grind can allow air to come between the steel and the material being cut, allowing a cleaner release. Addition of milled holes, slots, and surface texture may help both knives.
Because the cutting edge and the cross-sectional blade geometry just behind the cutting edge must be very flat, flat ground knives used by chefs are usually very thin and lightweight. This often is in opposition to hollow ground knives which are heavier and usually have more weight and substance. This is a design consideration, and if lightweight, thin, fillet type knives are desired the flat or taper grind may be the way to go.
The largest consideration here is usually overlooked by knife buyers, and that is one of manufacturing. It is far easier and cheaper to flat grind a knife with automated equipment than to hollow grind and mirror finish. A flat grind can be done completely by machines and jigs, but the hollow grind can not be, particularly when both types of grinds are finely finished. Any machine can do an initial rough grind, but not a finished grind, due to geometric changes in the circumferential size of the cut with changing abrasive grits. Without going into technical specifics, I'll say simply that machine finishes of flat grinds are simpler, and manufacturers know this, and extensively hype flat knives to keep their manufacturing costs low. Also, a very thin piece of steel is cheaper overall, so the investment in materials by the manufactures is lower. There are knife makers who continue this misperception, and my opinions are unlikely to change their mind. All you have to ask for, as a custom knife client, is to ask them to see their hollow ground, mirror finished blades, and watch them squirm.
Knife design, finish, and purchase is a matter of informed choices. I'm thankful that my clients have chosen me, and I'll continue to listen to their input, and make the kind of knives they ask for. That's what this is all about. And if clients request flat and taper ground blades, I make those too!
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Chef's set: Granite. This is a fine Chef's set with six knives, and a beautiful matching custom block. The knives are made of 440C high chromium martensitic stainless tool steel, hardened and tempered to various tempers depending on their shape and intended use. The knives are all hollow ground, mirror polished, and beautiful. The bolsters are 304 austentitic stainless steel, which is a high nickel, high chromium stainless steel, for zero care and extremely high corrosion resistance with toughness. The handles are all matching, a gorgeous Blue Pearl granite, which has a wonderful, labradorescent play of light and color. Blue Pearl granite is quarried in Tvedalen, Norway, and is black muscovite, feldspar, and labradorite. The stand is made of very hard and tough native American Pecan, with spacers of American Black Walnut with a fine hard oiled and waxed smooth finish. The graduated blades rest in a "stair step" display, which is very attractive from all angles. I tried to follow the stepped pattern with the artistic application of granite end blocks, all highly polished and finished. The block is heavy, stable, and strong, and the custom sockets fit the knives in matching form.
In the second picture, you can see the knives out of the block, and get a relative idea of their size and shape. From the top down:
All matching stainless bolsters, dovetailed and polished, full matching filework on all the blades, and gorgeous gemstone handles make this a magnificent professional grade set. The granite is tough, easy to clean, and very durable. The set will last for generations. The block is nearly indestructible, as Pecan is actually a hickory family wood and very, very hard and tough. Black walnut is a bit softer, so the cutting edges will not dull against the block. Black walnut is one of the most valuable American hardwoods. I created a balance of curves and steps to show off the fine handles and block as much as possible, with class and style.
What a wonderful matched set. I had a great time making them, and I'll miss them in my studio. The client will be very happy with this unique, beautiful, useful set of fine chef's cutlery.
If you look long enough at this page, you'll be able to spot my bread knives by the serrations on the blade. This type of serration has evolved in my own work and from use and customer feedback over the decades. The shape of the blade is specifically suited to penetrate hard crusted loaves, yet cut through soft bread with a minimum of tearing. Bread is especially difficult to slice, because of the differing hardness of in the loaf. If a knife edge were super-thin and smooth, it would be perfect for cutting thin slices of the softer parts (like a scalpel), but would merely glide over the hard and sometimes tough crust. Add nuts or other hard or tough material to the loaf, and the task becomes even more difficult. The shape of these arcing "theatre curtain" serrations creates enough localized pressure to penetrate the crusts, and offer enough angled edges to slice inside the softer parts. The edge may look highly inconsistent, but it is extremely thin, sharp and keen all along the serration curves. The feedback from these knives has been great. You won't see this much on factory knives, as the blade shape and grind can only usually be hand-made, and must be hand-sharpened. Factories are only interested in serrations that can be milled on automated machinery, thus the frequent appearance of fine, machine-cut continual teeth to create a more abrasive cutting edge. Factory serrations created this way will tear through most breads creating plenty of crumbs. Great for the knife manufacturer, not so great for performance.
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Like the "Cyele" above? Click here to go to a special featured page with more pictures and information on this fine chef's knife.
What kind of knife does Jay Fisher use in his kitchen?
From my email response to a client in January 2007, who wondered how his knife might look after use:
I took my favorite chef's knife out
of my kitchen, the one I used this weekend to prepare a huge stir
fry with chicken, a whole Napa cabbage, garlic, onions, cilantro,
Chinese black mushrooms, ginger, broccoli, and spices for my wife
and I and one of our children visiting with the grandkids. This very
same knife has been used to prepare countless meals for years, no,
actually for decades. I built this knife in 1987.

What a main kitchen knife goes through in 20
years is sometimes hard to imagine. I've open packages, chopped
frozen meats, hit bone and pounded it through dry
galangal root, the knife has been washed a thousand times,
been wet for far too long, been scrubbed, even with abrasive
cleaners by visiting chefs or the unannointed, used and abused. I
sharpen it every year or two, which doesn't take long because it's
incredibly thin, and I keep promising myself Ill make another, one
with a more sturdy handle, but my cooking hasn't suffered from not
doing so. I'll probably continue to use it
another 20 years.

The finish on the 440C was mirror when it was new, but it has attained a scuffed appearance that reminds me just how much I depend on it. Even though it's scuffed and scratched, it is incredibly easy to clean after all this time; just a rinse and wipe is all that's usually required.
The wood is Honduran Rosewood burl, it's cracked in several places (wood, not stone), and has shrunk a bit, but is still firmly attached. This is a hard working knife + 20 yrs. I thought you'd like to know just how it has fared.
Cook well, my friend, eat healthy, and live long!
Just like most of my other gemstone handled knives, I receive a lot of questions about the use of gemstone for custom knife handles. People have concerns. Are they slippery, are they durable, are they expensive? Why would one use gemstones, when no one else does? I'll try to answer all those concerns in this section.
Reasons: Probably the main reasons for using gemstone in the construction of a chef's knife handle are beauty, originality, and value. Because the materials, effort, and skill required to mount and finish gemstone on a knife tang are rare and difficult, gemstone is seldom used in any knife handle. Therein also lies the value. Nothing synthetic has the appearance and beauty of gemstone, and each piece is unique. Wood also pales in comparison to gemstone. The investment value of a gemstone handled knife always increases at a greater rate than knives handled with more common materials. So, beauty, originality, and long term value are the major reasons I use gemstone on my finer knives, including chef's knives.
Economy is not a reason to use gemstone on the handmade or custom knife. It is not cheap to acquire, work, construct, and finish gemstone, and this is the reason you don't see more of it used. Specialized equipment and practiced skill are required to properly fit and finish gem, and few artists and craftsmen have the background or practice. If you're looking for an economical or cheap chef's knife, you're in the wrong place at any custom knife maker's web site. I am committed only to making the finest pieces, not the cheapest. Gemstone handled knives may bring the price up for each knife from $100 to $300, depending on the gemstone used. Some gemstone (like fine lapis lazulii) may add thousands of dollars to the cost of one knife.
Mounting: Though you may see pins used to mount many knife handles, you'll seldom see them used in gemstone handled knives. Pins are necessary to stabilize and support wood, horn, bone, and ivory handles, as they have a large propensity to move, expand and contract, absorb moisture and dry, shrink and swell, work loose from the knife tang, and crack. This may allow moisture to accumulate and remain between the handle material and the tang, further accelerating corrosion, perhaps even allowing the entire tang to crack, snap, and fail. Gemstones are mounted in a different fashion; they use hidden pins or mounts, and are bedded to the handle somewhat like a fine gun action is fitted and mounted to a stock. In an effort to display the gemstone faces completely, pins seldom are brought completely through to the surface of the stone. The bedding allows a sealed joint between the tang, bolsters, and the gem material, and since the gemstone does not expand and contract or react to moisture or contaminants, security and longevity is assured. In the several thousand gemstone handled knives I've made, I've never had one of my standard gem mounts fail. Many of these knives have been in daily use for decades.
Grip security may be an issue on chef's knives, as hands may often be wet. Gemstones are usually smoothly polished, so it would seem that the handle might be slippery when wet. Of course, most other finished handles are also finely and smoothly finished, including plastics, hardwoods, and metals. Though there are some materials that get tacky when moist, they are few. So if the issue of grip security is so large, why is it that the industrial standard for knife handles is a smooth finish? With a rough surface, you face the possibility of skin irritation and abrasion on any type of handle material. If you use a knife for twenty minutes a day (a very long time for the home chef), you probably wouldn't notice the roughly finished handle irritating your skin. But if you are a professional chef who may work with a knife in his hand for several hours a day, you will suffer the consequences and pain of a poor finish and a rough surface texture. I discuss in depth on my Military Combat and Tactical Knife page here about surface texture verses handle shape, and illuminate why the shape of the handle is more important to grip security than the surface texture.
Many people who ask about slippery knife handle grips refer directly to chicken, and sometimes to fish. Good chefs know well how to handle these two meats and don't complain of slippery hands. How do they do this? First, they handle them carefully. Chicken and fish are best prepped when very cool, even frosty, and they can be sliced with greater accuracy and control. Letting these meats warm up will make them slippery, and most good chef's know this. Additionally, good work technique with any knife is key. The hand that is gripping the knife or utensil handle is not the hand that manipulates the food around, and thus, the hand gripping the tool is not in contact with the food or slimy. The ingredients are then scooped or scraped into the dish or pan with the knife. Of course, this is prep 101 for most people who are looking at these fine custom and handmade chef's knives.
You can read more details and see many examples of gemstone handled knives on my Gemstone Knife Handles Page here. There are more details about Knife Handles, Fittings, Bolsters, and Guards in general on this page.
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Featured above and below:
Chef's Knife Set, Scapolite: Hand-Engraved 440C high chromium
martensitic stainless tool steel, engraved 304 stainless steel bolsters,
scapolite gemstone handles. Display block: rock hard maple, paduk exotic
hardwood, inlays of scapolite gemstone cabochons. Knives from top to
bottom: French Chef's knife, Boning, La Cocina, and Paring (From
the patterns page here). An interesting fact about these
knives is that the gemstone is actually florescent, that is, it glows
with bright yellow spots under a high ultraviolet lamp (or black
light). The owner has them displayed under a uv lamp for effect.

Occasionally, I get asked about the construction method of my kitchen and chef's knives and the possibility of trapping bacteria and contaminating food. This is a hot topic on many people's minds, one that is regularly covered in the morning network television shows, particularly if they have no other worthy news. I always know when things are going relatively well, because the television networks start to do the "germs on your kitchen counter and cutting boards" segments.
They'll make a great show of swabbing various areas and growing cultures in Petri dishes to illustrate the dangers of bacteria in our homes. As always, fear sells best, and they have done their research to know just what you might respond to, in the face of fear. It's important to note that the main commodity they are selling in the advertising on these programs is soap, cleaners, and disinfectants. I hope you recognize the process.
No one likes bacteria, though we could not live without them. No one likes a dirty or contaminated kitchen, utensils, implements, or hardware. So where does the knife construction come into play in this discussion?
Most people who ask about contamination and trapping bacteria are concerned about pockets, voids, recesses, joints, and shapes of the modern chef's knife, and the possibility of those areas trapping and holding debris that will foster bacterial growth. They may even claim that integral or one-piece knives are superior than bolstered and handled knives because there are no voids or seams. This would be a worthwhile argument if these tools were being used to perform surgery in a sterile operating room, but, after all, this is a kitchen. Here are some points to consider:
Obviously this could get ridiculous. If one dwells on the subject too long, he'll chance the conversion to an obsessive-compulsive personality disorder like an eccentric billionaire, confining himself to darkness in a Las Vegas penthouse and counting his peas while insulating his flesh from the world with layers of boxed tissue. Bacteria exist. Keep your home, your kitchen, and your utensils clean and dry them after use. Just to sooth your fears though, here are some points about my own knives:
If you're still worried about this whole contamination thing, take a coarse bristle brush to your fingernails with a generous dose of surgeon's anti-bacteriological soap. Then do it again, and again, and again... okay, one more time to be sure-
Return to TopicsA client sent me an article clipped from the New York times about knife sharpening and the "legendary" skills of the Japanese in making blades and having a better cutting edge. It was the usual knife hype from a mass-market industry, and I evaluated and wrote:
Hi, B. Thanks for the article clipping. It's interesting how little people actually know about the cutting edge. There is no mystique, no legendary knife style or unique quality necessary for a very sharp, very long lasting cutting edge. It's simple, really: the blade behind the cutting edge must be as thin as possible, and the sharpening angle as low as possible. There are other considerations, of course, being the type of steel, and the geometry of the grind, and the intended use of the knife. Chef's cutlery is ground as thin as is reasonably possible. In some ways, the chef's knife is one of the toughest to make by hand, and I grind them incredibly thin. I also use a hollow grind, something you will seldom, if ever, see in a factory chef or kitchen knife. Factories flat grind the thin blades on automated machines, and though the flat grind is initially sharp, it will get much thicker with the first and successive sharpenings. I detail this on my Blades page here
When I got into knives, I looked for the ultimate resource on the cutting edge. What I found was a man who had made a living for over 35 years as a sharpening consultant to the textile and meat packing industry. Now in industry, these guys don't screw around. They don't have time for confusing and mystical gimmicks or hyperbole. They must have the sharpest cutting edges, for the longest time, with a technique that is clear, maintainable, and very sharp. If you've ever seen the "line" at a packing plant, it is an amazing thing- the people are whipping meat off the bone at an incredible pace! The knives are super-razor keen, and they wear special Kevlar or stainless steel cut-resistant gloves for protection from the blades. In textile plants, razor sharp wheels, shears, and blades cut through thousands of miles of materials, without snagging or tearing. This guy advised them on how to maintain their cutting edges. His name was John Juranitch, and he wrote a good, short, concise book on what he knew. It's called "Razor Edge Sharpening" and it's available on his website (at this link). They also sell gadgets on their site that help you maintain that sharpening angle, but I don't recommend them on a custom knife, because they clamp on to the spine of the knife and can mar the finish. But the resource and technique is worth it, and that's why I recommend Juranitch's book on every knife care sheet I supply with every knife. I can't live long enough to have the experience this man has had sharpening blades, so I use what he learned.
About the companies selling kitchen knives: these types of knives are a big volume business. They rely upon continuous sales in a pretty low end market. There is a heap of competition in what they do, so the only way they can be successful is by selling more units at a higher price than the competition. So, the industry relies upon an immense and embarrassing amount of hype. There are no 'legendary' kitchen knives, anywhere in history, no matter what they say. Here's a comparison: In the days of old, the musicians, jesters, actors, and entertainers were some of the lowest class, lowest paid, taking bones thrown from the King's court as payment for their services. Today, they are hyped by our culture and media's hunger for dollars to a point of absurd payment for their services, some have become "idols." Is their talent really that precious? Or is it a twisted part of capitalism that has somehow skewed our values? The same can be said of kitchen knives. Kitchen knives are common, mostly cheap and every household has them, but somehow these companies try to hype the quality of their cheap knives for a greater return.
Here's a prime example from the article: the difference of having a relief angle and edge on one side of the blade is not some great advantage to the end user of the knife, its one of savings in manufacturing! It's cheaper and simpler to take a thin blade blank, put a relief angle only on one side, cut your machining expenses in half, and then hype it up as some great benefit. It makes no difference whether the compound angles come from one side or two, a low angle is possible with both methods, and thus, there is no sharper knife. What it says to me is that these Asian cutlery firms are competing with the dominant German firms for moderately priced kitchen cutlery, in a world where people are starting to realize that they don't want a "Ginsu" kitchen knife sitting on the counter of their very expensive and important kitchen. That's where fine custom knives come in. Factories can't even come close...

Above: "Vitruvius-Vega" -Read more about this fine chefs knife on a special page here
You will notice a lot of sheaths with the knives on this page. Conventional wisdom is that a sheath knife is for the "field." The truth is, a sheath protects the knife and the owner. If you're going to store your knife in a drawer banging into other knives and kitchen tools, your expensive custom knife is going to get dinged, have the edge dulled, and get torn up. The sheath will offer protection. The worst enemy of a knife is another knife and other metal kitchen tools.
Also, many of the knives shown are
dual purpose, that is both utility knives and chef's knives. Some are well
suited to boning, dressing, and carving. Some have more elegant displays. There
is no "rule" about knives, and some of my clients insist on taking a fine sheath
knife to even the best restaurants, where all they have to offer to carve a
thick steak is a worn-out thin stainless steel spring saw the restaurant calls a
steak knife.
When the knife owner pulls out his fine custom knife, people at the
table (and sometimes other tables) beg him to use it when they see it glide
through the meat. Yes, some of the knives have blocks or stands, some have
sheaths. Some sheaths are kydex, some are leather. Protection for the owner and
the knife is important, and sometimes a big bulky counter block takes up just
too much precious counter space.
Read details, see more pictures of these fine boning, carving and fillet knives on special pages here and here
Return to TopicsWhile many different knife shapes can be used in the kitchen and the type of knife varies from chef to chef, there are some standards that have proven track records in the art of cooking and meal prep. These are usually recognizable knife shapes, but not always. There are no rigid rules about what knife to use for each task, so the variety can become bewildering. In my 360+ knife patterns, certain knives have been specifically used by chefs, many other blade and handle designs are used by cooks, but span type styles for other uses. The thumbnail group below gives a general idea of knife styles that are applicable in the kitchen.